{"id":1,"date":"2023-06-08T06:49:06","date_gmt":"2023-06-08T06:49:06","guid":{"rendered":"http:\/\/box2261\/cgi\/addon_GT.cgi?s=GT::WP::Install::EIG+%28newterri%29+-+10.0.87.60+%5BWordpress%3b+\/var\/hp\/common\/lib\/Wordpress.pm%3b+534%3b+Hosting::gap_call%5D\/?p=1"},"modified":"2024-02-07T14:37:15","modified_gmt":"2024-02-07T14:37:15","slug":"hello-world","status":"publish","type":"page","link":"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/","title":{"rendered":"La Chambre des M\u00e9moires \u00e0-Venir"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"252\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/logo.jpg\" alt=\"\" class=\"wp-image-415\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/logo.jpg 764w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/logo-300x99.jpg 300w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\" style=\"font-size:33px;font-style:normal;font-weight:400;text-decoration:underline\">SOUS LA DALLE de PARIS LA DEFENSE<\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:35px\">New-Territories_S\/he, Emanuele Coccia <\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">16  Septembre &#8211; 1 Octobre 2023  (english version below)<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"685\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1new3-light.jpg\" alt=\"\" class=\"wp-image-361\" style=\"width:1024px;height:847px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1new3-light.jpg 828w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1new3-light-300x248.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1new3-light-768x635.jpg 768w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\" style=\"font-size:28px\"><strong>Premi\u00e8re &amp; Derni\u00e8re mondiale \u2014 Dans les sous-sols interdits de Paris La D\u00e9fense<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:22px\">Du 16 septembre au 01 octobre 2023, Paris accueille la premi\u00e8re mondiale de&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:22px\"><br>Deux partenaires Mondes Nouveaux et Paris La D\u00e9fense sont r\u00e9unis pour offrir au public une exp\u00e9rience in\u00e9dite : la d\u00e9couverte d\u2019un monde complexe o\u00f9 l\u2019on est invit\u00e9 \u00e0 se perdre ou se trouver, pour une dur\u00e9e de 30 minutes, dans les sous-sols interdits de Paris La D\u00e9fense.<br>&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:22px\"><em>La chambre des m\u00e9moires \u00e0-venir&nbsp;<\/em>est con\u00e7ue par l\u2019architecte Fran\u00e7ois Roche qui r\u00e9unit avec New-Territories une \u00e9quipe pluridisciplinaire et internationale : le philosophe Emanuele Coccia (France) &amp; l&#8217;artiste Mika Tamori (Japon\/Tha\u00eflande), l&#8217;artiste-r\u00e9alisateur Chris Delaporte (France), le cr\u00e9ateur sonore Damien Sorrentino (France) et l&#8217;actrice Laura Benson (Royaume-Uni\/France). Signalant le retour de New-Territories_S\/her en Europe, en France, \u00e0 Paris,&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir&nbsp;<\/em>est l&#8217;une des ultimes occasions de plonger, sous la dalle de Paris La D\u00e9fense, dans ces lieux prohib\u00e9s, programm\u00e9s pour \u00eatre re-structur\u00e9s.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-center has-large-font-size\" style=\"font-style:normal;font-weight:800\"><strong>L&#8217;exp\u00e9rience d&#8217;un r\u00e9trofutur arch\u00e9ologique<\/strong><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><em>La Chambre des m\u00e9moires \u00e0-venir<\/em>&nbsp;est immersive &amp; performative \u2014&nbsp;philosophique et technologique, scientifique et psychologique,&nbsp;cin\u00e9matographique et th\u00e9\u00e2trale&nbsp;\u2014 vivante, visuelle et architecturale.<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><em>La Chambre des m\u00e9moires \u00e0-venir<\/em>&nbsp;s\u2019\u00e9prouve, se vit, se joue, se ressent, se construit et se d\u00e9construit.&nbsp;C\u2019est cette m\u00e9tamorphose qui est propos\u00e9e \u00e0 Paris, dans les espaces interm\u00e9diaires \/ interstitiels sous la dalle de Paris La D\u00e9fense.<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Le temps unique de l&#8217;\u00e9v\u00e9nement, ces sous-sols interdits s&#8217;ouvrent pour devenir l&#8217;antre o\u00f9 surprendre les bribes d\u2019une conversation, d&#8217;une dispute, d&#8217;une controverse polyphonique et caverneuse mis en mots &amp; en sc\u00e8ne entre un philosophe &amp; un architecte qui confient \u00e0&nbsp;des entit\u00e9s par\u00e9idoliques et cosmiques ce qui se chuchote concernant le devenir du monde dans un ailleurs temporel. Un r\u00e9trofutur arch\u00e9ologique qui nous regarde nous d\u00e9battre dans le fatras de l\u2019ici-et-maintenant.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"599\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1logo-copy-light-1024x599.jpg\" alt=\"\" class=\"wp-image-359\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1logo-copy-light-1024x599.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1logo-copy-light-300x175.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1logo-copy-light-768x449.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/ENTITY1logo-copy-light.jpg 1213w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-x-large-font-size\" style=\"font-style:normal;font-weight:800\"><strong>\u00ab Ici, demain, d\u00e9j\u00e0 l\u00e0-bas \u00bb<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Les mots d&#8217;Emanuele Coccia, les avatars holo-cosmosgraphiques d\u00e9velopp\u00e9s avec la collaboration de Chris Delaporte invoquent des&nbsp;glitches&nbsp;c\u00e9r\u00e9braux par\u00e9idoliques, les gribouillages&nbsp;live&nbsp;invisibles de Mika Tamori se r\u00e9v\u00e8lent par intermittences, comme des spasmes.<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">\u00ab Il nous semble plausible de conjuguer un r\u00e9cit au futur ant\u00e9rieur, au sens litt\u00e9ral, de regarder un demain, un demain juste devant nous (celui qui nous effraie et que nous ne cessons de caresser) o\u00f9 l\u2019esp\u00e8ce (la n\u00f4tre et toutes celles sur cette plan\u00e8te) aura mut\u00e9e, \u00e0 la fois humaine et techno\u00efde, v\u00e9g\u00e9tale et c\u00e9r\u00e9brale, chrysalide et chim\u00e8re darwinienne. Des cr\u00e9atures post-pari\u00e9tales se donnent le droit de sp\u00e9culer sur l\u2019hypoth\u00e8se d\u2019une nouvelle branche de l\u2019\u00e9volution. Puis une remont\u00e9e \u00e0 la surface, dans la psych\u00e9 d\u2019une \u201dblue pill\u201d \u00bb New-Territories_S\/he<br>&nbsp; \u00ab D\u00e9jouer la relation avec un pass\u00e9 individuel ou collectif [\u00b7\u00b7\u00b7] Supprimer l\u2019illusion de n\u00e9cessit\u00e9 qui nous lie \u00e0 un pass\u00e9 d\u2019esp\u00e8ce biologique. Pouvoir&nbsp;faire (re)vivre un site comme&nbsp;une chambre d\u2019enfance encore enceinte de futurs qui n\u2019ont pas (encore) d\u00e9clin\u00e9 dans le pr\u00e9sent. Pouvoir briser l\u2019\u00e9vidence avec laquelle nous consid\u00e9rons notre nature d\u2019Homo sapiens comme un trait n\u00e9cessaire. [\u00b7\u00b7\u00b7] une exp\u00e9rience qui lib\u00e8re la vie de toute esp\u00e8ce de l\u2019histoire et l\u2019invite \u00e0 un exercice d\u2019imagination dans lequel tout doit encore arriver. \u00bb Emanuele Coccia<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"314\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/multitudes91-couverture-24mai-apercu-1_Page_1-1024x314.jpg\" alt=\"\" class=\"wp-image-121\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/multitudes91-couverture-24mai-apercu-1_Page_1-1024x314.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/multitudes91-couverture-24mai-apercu-1_Page_1-300x92.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/multitudes91-couverture-24mai-apercu-1_Page_1-768x236.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/multitudes91-couverture-24mai-apercu-1_Page_1-1536x472.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/multitudes91-couverture-24mai-apercu-1_Page_1-2048x629.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Prochain &#8216;<\/em><strong>Multitudes<\/strong><em>&#8216;, <\/em><strong>#91<\/strong><em> Juin 2023 &#8211; Cahier Ic\u00f4nes par S\/he new-territories _ 40 pages dedi\u00e9es \u00e0 ce dispositif (entres autres &#8221;<\/em><strong>Conspirations hors complots<\/strong><em>&#8221;)<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-x-large-font-size\"><strong>Participer<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">2 000 personnes exclusivement sont invit\u00e9\u00b7e\u00b7s \u00e0 p\u00e9n\u00e9trer dans les d\u00e9dales de b\u00e9ton de Paris La D\u00e9fense, \u00e0 la fois cath\u00e9drale pa\u00efenne et r\u00e9sidu infrastructurel des ann\u00e9es 1960, \u00e0 l&#8217;intersection de l&#8217;A14, de la ligne 1 du m\u00e9tro et du RER A.<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Pour entrer dans&nbsp;<em>La chambre des m\u00e9moires \u00e0-venir<\/em>, chaque participant doit r\u00e9server son cr\u00e9neau de 30 minutes : <a href=\"https:\/\/pastfuturechamber.eventbrite.fr\">ICI.<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">La descente dans les sous-sols s&#8217;effectuera par groupes de 12 personnes simultan\u00e9ment.<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">L&#8217;exp\u00e9rience est accompagn\u00e9e par un guide d\u00e9di\u00e9. L&#8217;exp\u00e9rience propos\u00e9e est psychologique et intellectuelle, physiologique et spirituelle.<br><em>La chambre des m\u00e9moires \u00e0-venir<\/em>&nbsp;est r\u00e9serv\u00e9e aux plus de 16 ans.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center has-large-font-size\"><strong>16 septembre au 01 octobre 2023<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-large-font-size\"><strong><em>La chambre des m\u00e9moires \u00e0-venir<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>+ Horaires :<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>samedi &amp; dimanche : 11:00 &#8211; 13:00 \/ 14:00 &#8211; 20:00&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>lundi &amp; vendredi : 12:00 &#8211; 14:00<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>mardi, mercredi et jeudi : 17:00 &#8211; 20:00<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-large-font-size\"><strong>+ Billetterie : <a href=\"https:\/\/pastfuturechamber.eventbrite.fr\">ICI<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>+ \u26a0 Plus de 16 ans uniquement \/ pr\u00e9sentation d&#8217;une carte d&#8217;identit\u00e9 (pour les plus jeunes), le jour de sa participation<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\" style=\"font-size:26px\"><strong>+ Lieu : Dalle de Paris La D\u00e9fense<\/strong>,<strong> Acc\u00e8s <\/strong>: <strong><a href=\"https:\/\/pastfuturechamber.eventbrite.fr\">I<\/a><a href=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/maps-access\/\">CI<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>+ Entr\u00e9e : \u00c0 3 m\u00e8tres du IT \u2013 Italian Trattoria La D\u00e9fense au 86 Esplanade du G\u00e9n\u00e9ral de Gaulle 92400 Courbevoie<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>+ Dossier de presse : <a href=\"https:\/\/www.new-territories.com\/PastFutureM\/chambre des memoires a-venir PressKit.pdf\">ICI<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>+ Pour toutes questions, demandes d&#8217;entretiens\/interviews\/visites des coulisses et de tournages :&nbsp;<\/strong><a href=\"mailto:rsvp@jigsaw.family?subject=La%20chambre%20des%20m%C3%A9moires%20%C3%A0-venir\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>ICI<\/strong><\/a><\/p>\n\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/wireframeimg_nologo_black.jpg\" alt=\"\" class=\"wp-image-321\" style=\"width:1022px;height:723px\"\/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"96\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1024x96.png\" alt=\"\" class=\"wp-image-467\" style=\"width:1023px;height:97px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1024x96.png 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-300x28.png 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-768x72.png 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1536x145.png 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-2048x193.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/3-light-scaled.jpg\" alt=\"\" class=\"wp-image-490\" style=\"object-fit:cover;width:1022px;height:733px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/3-light-scaled.jpg 2560w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/3-light-300x225.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/3-light-1024x768.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/3-light-768x576.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/3-light-1536x1152.jpg 1536w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/1-light-scaled.jpg\" alt=\"\" class=\"wp-image-495\" style=\"object-fit:cover;width:1022px;height:733px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/1-light-scaled.jpg 2560w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/1-light-300x200.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/1-light-1024x683.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2024\/02\/1-light-768x512.jpg 768w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/div>\n\n\n<p style=\"font-size:28px\"><strong><em>English Version<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>World Premiere &amp; Last &#8211; In the forbidden basements of Paris La D\u00e9fense<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br>From September 16 to October 01, 2023, Paris hosts the world premiere of La Chambre des m\u00e9moires \u00e0-venir.<br>Two partners, Mondes Nouveaux and Paris La D\u00e9fense, have joined forces to offer the public a unique experience: the discovery of a complex world where you are invited to get lost or find yourself, for a period of 30 minutes, in the forbidden basements of Paris La D\u00e9fense.<br>La chambre des m\u00e9moires \u00e0-venir is designed by architect Fran\u00e7ois Roche, who has brought together a multidisciplinary, international team with New-Territories: philosopher Emanuele Coccia (France) &amp; artist Mika Tamori (Japan\/Thailand), artist-director Chris Delaporte (France), sound designer Damien Sorrentino (France) and actress Laura Benson (UK\/France). Signaling the return of New-Territories_S\/her to Europe, France and Paris, La Chambre des m\u00e9moires \u00e0-venir is the ultimate opportunity to plunge beneath the Paris La D\u00e9fense slab into these forbidden places, programmed to be re-structured.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"glitchS (eng. sub.)\" src=\"https:\/\/player.vimeo.com\/video\/833561141?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-medium-font-size\"><br><strong>The experience of an archaeological retro-future<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><br>La Chambre des m\u00e9moires \u00e0-venir is immersive &amp; performative &#8211; philosophical and technological, scientific and psychological, cinematographic and theatrical &#8211; living, visual and architectural.<br>La Chambre des m\u00e9moires \u00e0-venir is experienced, lived, played, felt, constructed and deconstructed. It is this metamorphosis that is proposed in Paris, in the intermediate\/interstitial spaces beneath the Paris La D\u00e9fense slab.<br>For the duration of the event, these forbidden basements will open up to the public for the first and last time, becoming a den where you can overhear the snippets of a conversation, a dispute, a polyphonic and cavernous controversy put into words &amp; staged between a philosopher &amp; an architect who entrust to paraeidolic and cosmic entities what is being whispered about the future of the world in a temporal elsewhere. An archaeological retro-future that watches us struggle through the here-and-now. <\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>&#8220;Here, tomorrow, already there&#8221;<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"GlitchS_Lecture  5 dec. 2022_Eng. Sub.\" src=\"https:\/\/player.vimeo.com\/video\/837123506?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-medium-font-size\"><br>Emanuele Coccia&#8217;s words, the holo-cosmosgraphic avatars developed with the collaboration of Chris Delaporte invoke pareidolic cerebral glitches, Mika Tamori&#8217;s invisible live scribblings reveal themselves intermittently, like spasms.<br>&#8220;It seems plausible to us to conjugate a narrative in the past future tense, in the literal sense, to look at a tomorrow, a tomorrow right in front of us (the one that frightens us and that we never stop caressing) where the species (ours and all those on this planet) will have mutated, at once human and technoid, vegetable and cerebral, chrysalis and Darwinian chimera. Post-parietal creatures give themselves the right to speculate on the hypothesis of a new branch of evolution. Then a journey to the surface, into the psyche of a &#8220;blue pill&#8221; &#8221; New-Territories_S\/he<br>&#8220;Thwarting the relationship with an individual or collective past [&#8212;] Remove the illusion of necessity that binds us to a past as a biological species. To be able to (re)experience a site as a childhood bedroom still pregnant with futures that have not (yet) declined into the present. To be able to shatter the evidence with which we regard our Homo sapiens nature as a necessary trait. [&#8212;] an experience that frees the life of any species from history and invites it to an exercise in imagination in which everything has yet to happen.&#8221; Emanuele Coccia<\/p>\n\n\n\n<p class=\"has-medium-font-size\">&#8220;&#8230; the continuation of 10 years of Rimbaldian adventure, robotic, subversive, human, &#8220;where it smells like shit&#8221;,&#8230; in the depths of jouissive pollution&#8230; &#8220;to put an end to the with the judgment of the gods, be they divine and\/or institutional&#8221;&#8230;fugitive in the slums of Bangkok&#8217;s China Town as a refuge&#8230; but Covid obliges&#8230; the Baudelairian devil who would have us believe that he doesn&#8217;t exist&#8230; blah, blah, blah&#8230; this wasn&#8217;t in the Chinois district, Paris XIII, HBM housing from the Front Populaire, not so bad&#8230; to dream of the filthy residual basements of the Futurama (world fair NYc 1939) of modernity at La D\u00e9fense, and to witness the fight of retro-futuristic australopithecines&#8230; rather than homo sapiens, my contemporaries&#8230; so back to the motherland as a native immigrant&#8230; nomad&#8230; temporal statelessness, for a writing style&#8230; disillusioned, disenchanted&#8230; with a bitter aesthetic libidinal&#8230; charming distress, the eroticism of Sabina Spielrein&#8217;s little death. Spielrein, but also of Boccacio&#8217;s Decameron&#8230; a mirror of the bankruptcy of our ecosophy too late, and far too sterilized, hygienized&#8230; privatized, but also a mirror of our own dementia. of our own dementia, a film with three characters: the cynic, the idiot and the moralist&#8230; Three-headed Diogenes in Lacanian introspection&#8230; in his barrique dog cave&#8230; dog&#8230; For this film, which seems to be a Valladolid controversy 2.0&#8230; in reversed&#8230; 3 Jesuit avatars from the future discuss and judge our degree of humanity&#8230; from tragedy to farce&#8230; but it&#8217;s also like a fold of the soul&#8230; a topological fold of our inner cinema&#8230; we&#8217;re talking to ourselves&#8230; these little &#8220;men, women, green beasts&#8221; are us&#8230; the expression of our sad passions, the unavowable desire to take the risk of being human&#8230; a multiplicity of inner voices like psychodramas, critical schizophrenias&#8230; echoing&#8230; of our procrastination&#8230; an aesthetic of skepticism&#8230; It&#8217;s time to meet to meet Trans Humans&#8230; mutants, who are not Transhumanists,&#8230; but also to question evolutionary theories and their distinction between species, in &#8220;retro-future-speculative archaeology&#8221; \/ The aesthetic object here is a subject&#8230; which is not outside, outside&#8230; but in itself&#8230; to give language to our own ambiguities&#8230; to reveal our lack of discernment&#8230; these cosmic avatars, trans&#8230; it&#8217;s &#8220;both of us&#8221;&#8230; in dissonance&#8230; schizoanalytic demultiplications and Guattari&#8217;s chaosmosis&#8230; fiction as the unveiling of inside-outside knots, their unfolding and contingency&#8230; ecology of being&#8230; heroes and thanatos&#8230; ecology of limbo and the migrations of beings, beasts, plants, genders and sexualities&#8230; Eco-technological monism&#8230; Infinity, proximity, thought, genitalia, love&#8230; the same substance&#8230;&#8221; F.Roche_S\/he<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Participate<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Only 2,000 people are invited to enter the concrete maze of Paris La D\u00e9fense, both a pagan cathedral and an infrastructural residue of the 1960s, at the intersection of the A14, metro line 1 and RER A.<br>To enter La chambre des m\u00e9moires \u00e0-venir, each participant must reserve a 30-minute slot: HERE.<br>The descent into the basement will take place in groups of 12 people at a time.<br>The experience is accompanied by a dedicated guide. The experience is psychological and intellectual, physiological and spiritual.<br>The Chamber of Future Memories is reserved for people over 16.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">September 16 to October 01, 2023<br>The Chamber of Future Memories<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-medium-font-size\">Opening hours :<br>Saturday &amp; Sunday: 11:00 &#8211; 13:00 \/ 14:00 &#8211; 20:00<br>Monday &amp; Friday: 12:00 &#8211; 14:00<br>Tuesday, Wednesday &amp; Thursday: 17:00 &#8211; 20:00<\/li>\n\n\n\n<li class=\"has-medium-font-size\">Tickets: <a href=\"https:\/\/pastfuturechamber.eventbrite.fr\">HERE<\/a><\/li>\n\n\n\n<li class=\"has-medium-font-size\">\u26a0 Over 16s only \/ presentation of identity card (for the youngest), on the day of participation<\/li>\n\n\n\n<li class=\"has-medium-font-size\">Location: Dalle de Paris La D\u00e9fense, Access: <a href=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/maps-access\/\">HERE<\/a><\/li>\n\n\n\n<li class=\"has-medium-font-size\">Entrance: 3 meters from the IT &#8211; Italian Trattoria La D\u00e9fense at 86 Esplanade du G\u00e9n\u00e9ral de Gaulle 92400 Courbevoie<\/li>\n\n\n\n<li class=\"has-medium-font-size\">Press kit: <a href=\"https:\/\/www.new-territories.com\/PastFutureM\/chambre des memoires a-venir PressKit.pdf\">HERE<\/a><\/li>\n\n\n\n<li class=\"has-medium-font-size\">For all inquiries, interviews\/interviews\/backstage and filming tours: <a href=\"mailto:rsvp@jigsaw.family?subject=La%20chambre%20des%20m%C3%A9moires%20%C3%A0-venir\">HERE<\/a><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed alignright is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"depth2\" src=\"https:\/\/player.vimeo.com\/video\/837049986?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"96\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1-1024x96.png\" alt=\"\" class=\"wp-image-471\" style=\"width:1401px;height:132px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1-1024x96.png 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1-300x28.png 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1-768x72.png 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1-1536x145.png 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/logo-institutions-2-1-2048x193.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-large-font-size\"><a href=\"https:\/\/fisheyeimmersive.com\/article\/a-quoi-ressembleront-les-villes-du-futur-rencontre-avec-lartiste-architecte-francois-roche\/\">\u00c0 quoi ressembleront les villes du futur ?&nbsp;<em>Rencontre avec FRoche<\/em>-S\/he<\/a><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Les portes de&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir<\/em>&nbsp;s\u2019ouvriront le 16 septembre prochain dans les souterrains de la D\u00e9fense, \u00e0 Courbevoie. On a voulu faire un tour anticip\u00e9 de la nouvelle installation immersive du collectif New-Territories_S\/he en interrogeant le cerveau qui en est \u00e0 l\u2019initiative, l\u2019architecte Fran\u00e7ois Roche. En toile de fond, une question : que les technologies peuvent-elles raconter ou r\u00e9v\u00e9ler de plus que les espaces ne disent pas d\u2019eux-m\u00eames ?<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Depuis de nombreuses ann\u00e9es, Fran\u00e7ois Roche exprime sa vision novatrice au sein du collectif&nbsp;<a href=\"https:\/\/www.new-territories.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">New-Territories_S\/he<\/a>, \u00e0 la fronti\u00e8re de l\u2019art de la science et de l\u2019architecture. Artiste et architecte fran\u00e7ais (critique du milieu de l\u2019architecture), ce dernier a v\u00e9cu en Asie de 2011 \u00e0 2021, o\u00f9 il a poursuivi des projets exp\u00e9rimentaux in-situ, qui d\u00e9fient la simplicit\u00e9 et embrassent la diversit\u00e9 des exp\u00e9riences humaines. Jusqu\u2019\u00e0 ce que le Covid ne l\u2019incite \u00e0 quitter la Tha\u00eflande pour se r\u00e9installer en France, sans pour autant mettre de c\u00f4t\u00e9 son obsession : investir des espaces en marge, invisibilis\u00e9s, afin de r\u00e9v\u00e9ler les angles morts de nos id\u00e9ologies et utopies b\u00e2tisseuses.&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Fugitif de l\u2019identit\u00e9, la personnalit\u00e9 de Fran\u00e7ois Roche comme ses travaux transcendent les cat\u00e9gories binaires. Sans cesse, il navigue entre l\u2019analogique et le digital, la robotique et la \u00ab&nbsp;<em>bricola<\/em>&nbsp;\u00bb, tisse des liens ambigus entre l\u2019organique et la computation. Sa derni\u00e8re installation en date,&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir<\/em>, ne fait pas exception : d\u00e9ploy\u00e9e dans le silence et l\u2019obscurit\u00e9 b\u00e9tonn\u00e9e des sous-sols de La D\u00e9fense, elle orchestre un dialogue subtile et vertigineux entre la psych\u00e9 humaine et ses artefacts. Immersives \u2013 Fran\u00e7ois Roche pr\u00e9f\u00e8re dire \u00ab&nbsp;<em>hypnotiques<\/em>&nbsp;\u00bb \u2013, les technologies d\u00e9ploy\u00e9es donnent le tournis. L\u2019erreur serait toutefois de le consid\u00e9rer comme un techno-f\u00e9tichiste : \u00e0 travers son langage po\u00e9tique et complexe, reflet d\u2019une personnalit\u00e9 qui d\u00e9fie les normes, qui jongle entre les mondes, Fran\u00e7ois Roche est \u00e9videmment bien plus que \u00e7a. Laissons-le nous en dire plus\u2026<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\">D\u2019o\u00f9 vous vient l\u2019id\u00e9e de&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir&nbsp;<\/em>?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;Au d\u00e9part, on pensait investir une grotte proche de la grotte de Lascaux, dans laquelle des entit\u00e9s du futur nous regarderaient comme nous, nous regardons avec curiosit\u00e9 et condescendance les australopith\u00e8ques. On les bestialise ou les re-humanise au gr\u00e9 de nos synchronicit\u00e9s. On voulait cr\u00e9er quelque chose d\u2019un peu similaire. Une sorte de r\u00e9tro-futur o\u00f9 des entit\u00e9s qui ont \u00e9chapp\u00e9 \u00e0 la branche de l\u2019Homo sapiens jugent notre fatras de l\u2019ici et maintenant, nos pulsions morbides, jouisseurs que nous sommes des destructions que nous op\u00e9rons sur les lieux, les milieux et bien \u00e9videmment sur notre propre existence.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><em>La Chambre des m\u00e9moires \u00e0-venir<\/em>, c\u2019est un dispositif philosophique et hypnotique pens\u00e9 pour s\u2019enfuir du statuquo, une \u00e9chapp\u00e9e belle, mais aussi une ode \u00e0 la transgression, vestige d\u2019une lucidit\u00e9 post AI, post digital, de ce qu\u2019il nous reste, de la vuln\u00e9rabilit\u00e9 des attitudes face aux puissances de calcul anthropomorphiques.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-large-font-size\">\u00ab&nbsp;L\u2019architecture, c\u2019est aussi le droit de d\u00e9sob\u00e9ir, et pas simplement un assemblage de composants industriels, ce que le Bauhaus nous a malignement l\u00e9gu\u00e9.&nbsp;\u00bb<\/p>\n<\/blockquote>\n\n\n\n<p class=\"has-medium-font-size\">S\u2019agit-il de votre premi\u00e8re production du genre ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;Ce n\u2019est pas la premi\u00e8re fois que l\u2019on utilise l\u2019hypnose. Mais c\u2019est la premi\u00e8re fois en France que l\u2019on se rend dans des lieux interdits. C\u2019est ce que j\u2019ai fait pendant 10 ans \u00e0 Bangkok et ses innombrables cadavres-exquis de b\u00e2timents non finis des ann\u00e9es 1990, de maisons-dominos jamais achev\u00e9es. Avec New-Territories_S\/HE, on a toujours travaill\u00e9 sur le rapport \u00e0 l\u2019\u00e9ph\u00e9m\u00e8re, \u00e0 l\u2019architecture qui meurt, \u00e0 la situation\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\">En 2001, par exemple, on a essay\u00e9 de faire \u00e0 Bangkok une installation qui attirait par \u00e9lectro-statisme la pollution de la ville, principalement li\u00e9e au dioxyde de carbone. On avait fait des tests d\u2019accumulation de salissures, pour voir comment l\u2019agr\u00e9gation de salissures devient la chair d\u2019un motif et par l\u00e0 m\u00eame rend compte de quelque chose qui est de l\u2019ordre de l\u2019invisible, de l\u2019ordre de la respiration. Car non, le territoire n\u2019est pas seulement de l\u2019ordre du visible. C\u2019est aussi le chimique, la psych\u00e9, la subjectivit\u00e9. Le territoire du conscient et de l\u2019inconscient.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\">En quoi les souterrains de la D\u00e9fense sont-ils, \u00e0 vos yeux, un espace si particulier ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;On a voulu produire dans un lieu inaccessible, un lieu que personne ne conna\u00eet, en marge, mais qui n\u00e9anmoins renifle les contradictions et l\u2019autorit\u00e9 pompidolienne. Entre les derniers bidonvilles \u00ab&nbsp;bottom-up&nbsp;\u00bb et la mainmise incestueuse sur un urbanisme \u00ab&nbsp;top Down&nbsp;\u00bb \u2013 et \u00ab&nbsp;Play time&nbsp;\u00bb nous dit Tati. Nous nous glissons dans une fissure du temps, au creux de&nbsp;<a href=\"https:\/\/fisheyeimmersive.com\/article\/interview-en-immersion-dans-les-bas-fonds-avec-ugo-arsac\/\" target=\"_blank\" rel=\"noreferrer noopener\">r\u00e9sidus infrastructurels<\/a>, poussi\u00e9reux et sombres, adoss\u00e9s aux fondations de l\u2019id\u00e9ologie progressiste qu\u2019il nous plait de d\u00e9sali\u00e9ner, voir juste d\u2019\u00e9gratigner.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Vous op\u00e9rez sous un avatar \u00ab&nbsp;anti-autoritaire&nbsp;\u00bb, agenr\u00e9, non-binaire, ind\u00e9fini. En quoi ce projet lui fait \u00e9cho ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;Notre approche \u00ab&nbsp;sans la voie du ma\u00eetre&nbsp;\u00bb a quelque chose \u00e0 voir avec cela. D\u2019une part, je n\u2019existe qu\u2019au travers d\u2019une entit\u00e9 hermaphrodite, trans-genre depuis le milieu des ann\u00e9es 1990, S\/he, dont je ne suis que le secr\u00e9taire particulier. Mais aussi au travers de celles, ces entit\u00e9s qui hantent les sous-sols de la modernit\u00e9 et qui nous parlent du droit \u00e0 l\u2019erreur, consubstantiel \u00e0 l\u2019\u00eatre humain et \u00e0 son \u00e9pig\u00e9n\u00e9tique, loin de l\u2019obsession performative et de l\u2019expertise carnassi\u00e8re de nos soci\u00e9t\u00e9s manag\u00e9riales occidentales. L\u2019id\u00e9e, c\u2019est de prendre le risque de cr\u00e9er quelque chose dont on ne conna\u00eet pas encore la nature, et de le d\u00e9couvrir comme un artefact, une h\u00e9t\u00e9rotopie\u2026<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-large-font-size\"><em>\u00ab&nbsp;Faire la ville, c\u2019est penser le risque d\u2019\u00eatre un humain aux creux des contradictions et absurdit\u00e9s contemporaines, aux creux de sa violence d\u2019\u00e9tat. &nbsp;\u00bb<\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Vous avez d\u00e9ploy\u00e9 une palette vertigineuse de technologies pour cette installation. Comment avez-vous proc\u00e9d\u00e9 ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;C\u2019est int\u00e9ressant parce que mon rapport aux technologies est toujours d\u2019en gommer l\u2019existence, dans le sens o\u00f9 je ne souhaite pas laisser penser qu\u2019un \u00e9l\u00e9ment ait pu \u00eatre pens\u00e9 par une logique de logiciel\u2026 Je ne veux pas que l\u2019on ressente la signature de l\u2019outil, ni la d\u00e9pendance vis-\u00e0-vis de ceux qui l\u2019ont produit, quitte \u00e0 flouter les m\u00e9caniques productives et les intentions. L\u2019objectif, c\u2019est que l\u2019on ne per\u00e7oive pas ces multiples plateformes de 3D, de 2D, de mapping, toutes ces mises en relief n\u00e9buleuses r\u00e9alis\u00e9es avec de l\u2019IA afin que l\u2019objet puisse exister sans f\u00e9tichisme technologique. Personnellement, j\u2019ai pour ambition de faire en sorte que l\u2019analogique, l\u2019organique, de vortex et de vents solaires, de rapports humains de l\u2019ordre de la dispute (examiner, d\u00e9battre et se quereller), ne soient plus otages du digital, mais ouvrent les \u00ab&nbsp;portes de la perception&nbsp;\u00bb et des savoirs.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Nous vivons au sein d\u2019une \u00e9poque o\u00f9 de nombreux artistes, via le num\u00e9rique, tentent d\u2019<a href=\"https:\/\/fisheyeimmersive.com\/article\/a-bruxelles-limal-rend-hommage-a-lart-interactif-de-christa-sommerer-et-laurent-mignonneau\/\" target=\"_blank\" rel=\"noreferrer noopener\">imaginer la ville du futur<\/a>, fantasment ses multiples possibilit\u00e9s. D\u2019apr\u00e8s quoi, \u00e0 quoi ressemblera notre devenir-citadin ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;Je suis int\u00e9ress\u00e9 par la justice territoriale et sociale, par le fait que la ville ne soit pas condamn\u00e9e \u00e0 \u00eatre planifi\u00e9e par des experts en goujaterie, architectes ou urbanistes. Que le discours puisse ne pas \u00eatre conventionnel, puisse \u00eatre rageur, souffrant de ses col\u00e8res et de ces protestations. Je suis \u00e9merveill\u00e9 par la capacit\u00e9 de r\u00e9sistance-r\u00e9silience dans une structure techno\u00efde et politique extr\u00eamement autoritaire. L\u2019architecture, c\u2019est aussi le droit de d\u00e9sob\u00e9ir, et pas simplement un assemblage de composants industriels, ce que le Bauhaus nous a malignement l\u00e9gu\u00e9. Faire la ville, c\u2019est penser le risque d\u2019\u00eatre un humain aux creux des contradictions et absurdit\u00e9s contemporaines, aux creux de sa violence d\u2019\u00e9tat.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Quel message ou type d\u2019exp\u00e9rience vouliez-vous proposer aux visiteurs en les immergeant dans cette installation ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Fran\u00e7ois Roche :<\/strong>&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir<\/em>&nbsp;est un miroir d\u00e9formant de nous-m\u00eame, une schizophr\u00e9nie \u00e0 trois voix, en m\u00eame temps qu\u2019une s\u00e9ance d\u2019hypnose. C\u2019est un shoot \u00e0 la DMT MeO5, pustules du crapaud Buffo que les Indiens du people Seri s\u2019envoient dans le nez pour conqu\u00e9rir les limbes. On aura la gueule de bois, je pense, en sortant de l\u00e0. Je ne veux pas que \u00e7a se r\u00e9duise \u00e0 de l\u2019entertainment. La soci\u00e9t\u00e9 du spectacle n\u2019a pas besoin de nous, et inutile de l\u2019alimenter en mode&nbsp;<a href=\"https:\/\/fisheyeimmersive.com\/article\/positively-charged-lecologie-au-centre-de-linteractivite\/\" target=\"_blank\" rel=\"noreferrer noopener\">green washing<\/a>&nbsp;et immersion lobotomis\u00e9e pour toute audience.&nbsp;<em>La Chambre des m\u00e9moires \u00e0-venir<\/em>, c\u2019est plut\u00f4t un plaisir triste, une forme de m\u00e9lancolie toxique, r\u00e9serv\u00e9e au plus de 16 ans.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Cette gueule de bois, donc, je l\u2019ai eue quand je suis rentr\u00e9 en France, avec ses injonctions morales, polici\u00e8res, \u00e9ducatives, s\u00e9curitaires\u2026 et je veux la transmettre ad nauseam, apr\u00e8s une d\u00e9cennie de vie et de production en Asie dans les&nbsp;<em>slum<\/em>&nbsp;de Bangkok o\u00f9 \u00e7a sent bon l\u2019essaim, pour reprendre la m\u00e9taphore de Rimbaud sur la Commune de Paris. L\u2019id\u00e9e, encore une fois, est de sugg\u00e9rer via cette n\u00e9buleuse d\u2019entit\u00e9s visqueuses, aux lisi\u00e8res de l\u2019hypnose, le vide abyssal des limbes qui nous submergent d\u00e9j\u00e0.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">____________________________________________________________________________________________________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-large-font-size\">Dialogue Digital Entities<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Petrophytis = Pe1 et Pe2<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Une cr\u00e9ature \u00e0 la fois min\u00e9rale et v\u00e9g\u00e9tale qui transforme r\u00e9guli\u00e8rement la pierre en corps vivant et qui transforme son corps vivant en pierre.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">C&#8217;est quelqu&#8217;un qui inverse le dynamisme entre le sol et la plante. Une plante qui devient sol en permanence et qui, \u00e0 partir de ce sol, se r\u00e9engage.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Elle est tr\u00e8s vieille et androgyne.<br>Elle a plusieurs personnalit\u00e9s et plusieurs voix sortent d&#8217;elle. Parfois ces voix disent la m\u00eame chose, parfois elles se chevauchent et on ne comprend pas vraiment ce qu&#8217;elle dit.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Photogaia = Phl<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Elle est une sorte de soleil p\u00e9trifi\u00e9 ou une sorte de pierre comme \u00e9nergie absolue. C&#8217;est une sorte de fusion entre une plan\u00e8te et une \u00e9toile. Son corps ressemble \u00e0 une micro-puce g\u00e9ante de forme plus ou moins circulaire.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">C&#8217;est l&#8217;\u00e9quivalent du cerveau de la Terre. Il dira les choses les plus sages des trois. C&#8217;est elle qui est finalement capable de lire et de d\u00e9masquer le public.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong><em>(dialogue avec indication de jeux_ Actrice des trois voix Laura Benson _ voix naturelles, non digitales)<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> (d&#8217;une voix rauque et tr\u00e8s grave, tr\u00e8s lentement) = O\u00f9 sommes-nous ?&nbsp; Mais surtout -dans quelle \u00e9trange p\u00e9riode du temps nous nous trouvons ? Attends\u2026 nous avons \u00e9t\u00e9 catapult\u00e9s des si\u00e8cles en arri\u00e8re. On se croirait au milieu du 21e si\u00e8cle\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2<\/strong> (<strong>d&#8217;une voix plus jeune) <\/strong>= Oui\u2026 o\u00f9 sommes-nous ? \u00c7a a l&#8217;air d&#8217;\u00eatre un endroit sale et moche.&nbsp; Des formes si\u2026 <strong>(d\u00e9gout) <\/strong>On devrait voir un \u2018\u2019grand verre\u2019\u2019 qui raconte des histoire\u2026 J\u2019ai l\u2019impression que\u2026 <strong>(il se cogne <\/strong><strong>sur l\u2019\u00e9cran<\/strong><strong>)<\/strong> Ahh\u2026\u2026.<strong>(il reprend ses esprits<\/strong>)\u2026. Pourtant, ils avaient disparu depuis des millions d&#8217;ann\u00e9es&#8230;.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph <\/strong>= Nous sommes dans un <em>glitch, un miasme topologique, <\/em>\u2026 glissement de date et de lieu\u2026. ici c\u2019est 202&#8230; dans les sous sol d\u2019une sorte de\u2026 fantasme techno-positiviste, la\u2026 juste au dessus\u2026&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = un glitch\u2026 une erreur de programmation\u2026ehhhhh\u2026..tu les vois\u2026.<strong>(en se tournant vers le public humain\u2026ouvrant les yeux lentement\u2026et se retournant vers Pe1)<\/strong> Ce sont clairement des erreurs\u2026 Non&nbsp;?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong> = Ceci n\u2019a pas l\u2019air d\u2019\u00eatre une illusion<strong> (\u00e0 voix basse)<\/strong> c\u2019est bien la branche des homo-machin. Une admirable combinaison de puissance de destruction et de m\u00e9tamorphose larvaire\u2026en voir autant \u2026c est\u2026.&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = A ce stade ils doivent ne pas le savoir \u2026 Ou ils doivent se refuser de le savoir\u2026. Ce ne fut pas une v\u00e9ritable extinction\u2026 une prolif\u00e9ration de leur intelligence dans toute autre forme de symbiose\u2026 une multiplication d\u2019hybridation\u2026<strong>(explicatif)<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2<\/strong> <strong>= (il-elle interrompt Pe1)<\/strong>&nbsp; s\u00e9rie d\u2019anomalies, erreurs de codage\u2026l\u2019ADN c\u2019est moi, \u2026enfant qui n\u2019arr\u00eate pas de d\u00e9sirer et d\u00e9lirer \u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = &nbsp;fuite d\u2019ADN \u2026&nbsp;hom-herbes sauvages, femb\u00eates, homfemmes et femdieux,\u2026.a la fois\u2026.ce doit \u00eatre l\u2019une des derni\u00e8res g\u00e9n\u00e9rations de leur forme simple\u2026 et regarde\u2026 ils se reproduisent encore\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph = <\/strong>la nature n\u2019avait pas encore int\u00e9gr\u00e9 la r\u00e9alit\u00e9 de ses erreurs pour y d\u00e9velopper <s>&nbsp;<\/s>sa propre transgression\u2026ses multiples v\u00e9rit\u00e9s\u2026\/\/\/ C\u2019\u00e9tait une mani\u00e8re de d\u00e9passer l\u2019opposition entre la g\u00e9n\u00e8se d\u2019une esp\u00e8ce et son extinction <strong>(voix interieure)<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2 =<\/strong><s> <\/s>Chai pas\u2026qu\u2019est-ce que \u00e7a dit \u00e7a\u2026hein &#8230;Petrophytis-M\u00e8re ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1 =<\/strong> Mais mon bebe, \u00e9coute tes souvenir pr\u00e9-sp\u00e9cifiques, les r\u00e9sidus de ton cerveau reptilien, et\u2026.danse avec tes parano\u00efas\u2026. tes peurs sont belles\u2026tes angoisses sont du miel\u2026la folie c\u2019est notre matrice\u2026&nbsp; je ne te l&#8217;ai jamais dit\u2026.Vous pouvez lui raconter ? Apr\u00e8s tout, quel est votre nom ? Avec qui nous avons le plaisir de \u2026\u2026.. ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph =<\/strong> Photogaia. \/\/\/\u2026. Alors\u2026..\/\/\/ C&#8217;est un processus lent qui a impliqu\u00e9 toutes les esp\u00e8ces du pass\u00e9. La vie a essay\u00e9 de progresser par l&#8217;\u00e9volution pendant des millions d&#8217;ann\u00e9es, mais ce processus \u00e9tait trop \u00e9prouvant. Et trop co\u00fbteux. Parce que l&#8217;erreur a \u00e9t\u00e9 \u00e9cart\u00e9e, jet\u00e9e, laiss\u00e9e \u00e0 l&#8217;abandon. Et c&#8217;est alors qu&#8217;est n\u00e9e une vie capable de traverser toutes les erreurs.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2 <\/strong>= Il n&#8217;y a donc pas de d\u00e9chets ? Personne dispara\u00eet et personne meurt ? <strong>(interroge le public)<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph = <\/strong>Exactement, mais cela signifie que personne n&#8217;est vraiment n\u00e9. Nous sommes juste transform\u00e9s, \u2026\u2026\u2026\u2026..<strong>(\u00e0 voix basse)<\/strong> glissement des \u00eatres en co-existence\u2026..<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2 = <\/strong>Sommes-nous tous le m\u00eame corps ? Sommes-nous tous la m\u00eame chair ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong> = Presque. Nous sommes tous ensemble dans le sens o\u00f9, si les erreurs sont toujours vraies, ce qui se termine est l&#8217;histoire. La diff\u00e9rence entre le futur et la pr\u00e9histoire. Et c&#8217;est ce que les \u00eatres qui nous pr\u00e9c\u00e8dent exp\u00e9rimentent&#8230;..<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong>= C&#8217;est pourquoi ils ont l&#8217;air si stupides. Ils n&#8217;ont pas compris la v\u00e9rit\u00e9 de l&#8217;erreur.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong> = ne vous paraissent ils pas intelligents ?&nbsp; (debut proces \/ argumentation)<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = hmm<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2<\/strong> = comme nous ?<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong> = Oui, sans aucun doute.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = Pourtant, ils semblent tr\u00e8s ignorants, et ils ont \u2026.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2<\/strong> = \u2026d\u2019\u00e9tranges croyances et des \u00e9tranges moeurs. des divinit\u00e9s ext\u00e9rieurs \u00e0 leur monde et qui meurent\u2026 (mots aval\u00e9es) <em>mais aussi\u2026.ah\u2026. l\u2019argent, sa fiction et sa d\u00e9pendance\u2026 <\/em><strong>(condescendant)<\/strong><s><\/s><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = \u2026.\u2026. &nbsp;incapables de &nbsp;<a>s\u2019auto-chiffrer-d\u00e9chiffrer<\/a> &#8211; de d\u00e9passer l\u2019opposition entre v\u00e9rit\u00e9 et mensonge\u2026 et ils tombent dans leur propre pi\u00e8ges\u2026 ils ne veulent pas se transformer\u2026\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong>. =&nbsp; incapable de rire\u2026.faite venir ici un bouffon de cour. \u2026nous verrons bien s\u2019ils sont sensibles \u00e0 la dr\u00f4lerie\u2026 C\u2019est le signe de savoir se transformer.. Le signe du fait qu\u2019on connait l\u2019identit\u00e9 entre v\u00e9rit\u00e9 et erreur\u2026 Le rire\u2026. hybride\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong>&nbsp;= le rire le rire\u2026 oui\u2026.oui\u2026.spontan\u00e9 ! l\u2019id\u00e9e excellente ! Les fous ont tous les droits, non&nbsp;?.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2<\/strong>&nbsp;= hmmm ils font la gueule\u2026non!<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong> = Bonjour Toi&nbsp;? <strong>(en se retournant vers les &#8221;humains&#8217;)\u2026<\/strong> mon petit gnome g\u00e9nome, d\u00e9soxyriboprimitif, adenosive, sitinine, tymiditine, dont tu ignores les potentiels de mutations\u2026.\u2026sais tu t\u2019auto- programmer&nbsp; mon ch\u00e9rie\u2026&nbsp;?&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Silence\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1 et Pe2 = (qui se tourne et revient vers Pe2)<\/strong>\u2026 apathiques&nbsp;!<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong> = \u2026 antipathiques&nbsp; (<strong>tres bas comme une confidence\u2026 )<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2 (\u2026..Borborygmes \u2026. suivi de leur language entre eux \/ mix Summerien-Akkadian) <\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\">H pesh dish esh mimo ia homo selim macaled kekabichan kapu kchaley shipu kakurapu sorolmash gula dilgan u rikis nunni , Enlil lugal kurkurra abba digirdigireenke inim ginanita ningursu Sarabi ki ensur\u2026..es gana bera kiba na biru us ensi nm-make nam inimma diridirise eak \u2026.Masauqe q iiidou necte monai quede cha chomamosomo saqsa trou me ma mo somo bouree O marra mounou musina qure malan <strong>maison<\/strong> saque, reque re le le <strong>vie<\/strong> lou meme oune sae ou roule lapanu, se se se ou qui\u2026.li mou chrri\u2026<strong>arbres<\/strong> cham me, ou quou pas tou ale, ad renicha , chaoulatoupachic&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1= <\/strong>(<em>en se retournant a nouveau vers les spectateurs___ \u00e0 la fin de la tirade de Pe2\u2026..il fait des grimaces et de lents\u2026cris d\u2019animaux\u2026elle va de leur langage a la catatonia\u2026. plantes, bestiaires avec mouvement le ta t\u00e8te \/ cela dure\u2026.. un temps long\u2026. Parfois immobile\u2026 parfois gesticulant)\u2026.particule qui vomissent dans tous les sens\u2026et qui finit dans une ode \u00e0 la melancolie\u2026.son aigu\u2026(cris de Baleine&nbsp;!) \/ \/ hypnotique\u2026 lent\u2026. Pendant ce temps P2\u2026se met en l\u00e9thargie\u2026sa t\u00eate devenant un guignole de chiffon qui bouge au rythme de P1, qui se laisse bercer par les secousses et les vagues de ses mouvements et complaintes)\u2026M\u00e9m\u00e9ris\u00e9 par un son\u2026psych\u00e9d\u00e9lique-hypnotique de 1-2 mn\u2026Chant de Moldoror\u2026<\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>(\u2026\u2026 temps long\u2026<\/strong><strong>cr\u00e9ation sonore<\/strong><strong> psycho\u2026.lente et atonale)<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong>&nbsp; <strong>(sorte de r\u00e9veil\u2026sortie de la torpeur mais en mode d\u00e9sabus\u00e9)<\/strong> &nbsp;ahhh &nbsp;\u2026.Mais ceci n\u2019est pas une farce ! Nous parlons d\u2019un peuple qui souffre et qui meurt ! d\u2019un vrai peuple\u2026 bien que disparu, lign\u00e9e perdu, branche pourri de l\u2019\u00e9volution, homo __&nbsp; sapiennn\u2026\u2026il n\u2019en sont pas moins\u2026<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe1<\/strong>&nbsp;= Ce qui vous embarrasse, c\u2019est que vos humains n\u2019ont m\u00eame pas souri ! Ils n\u2019ont pas desserr\u00e9 les l\u00e8vres ! Ils ne se sont pas transform\u00e9s\u2026.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Pe2<\/strong> = si si\u2026..ils ont sourit\u2026.un peu\u2026je les ai vu\u2026.moi pas \u2026 bouffon de mere&nbsp; (en fait lui-m\u00eame) path\u00e9tique <strong>(rire affectueux \u00e0 son double siamois)<\/strong> \u2026 love yu-me-yuuuu&nbsp;!<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Ph<\/strong>&nbsp;= Vous voyez bien&nbsp;: Une culbute cela n\u2019a rien d\u2019universel\u2026.et \u2026.Ils ont peur, il ont peur de leur m\u00e9tamorphoses.. ils ont peur de leurs erreurs <strong>(tr\u00e8s lent\/ la connection \u2018modem\u2019 se perd\u2026ils ont peur en echo lointain\u2026 au loin et disparaissent\u2026)<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">Le 29th Septembre_cessions 14h30 et 15h10_Performance &#8221;the last GlitchS&#8221; Mika Tamori, artist \/ Japon. Billets <a href=\"https:\/\/pastfuturechamber.eventbrite.fr\">HERE<\/a> <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/MikaPerformance_Poster-1024x683.jpg\" alt=\"\" class=\"wp-image-477\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/MikaPerformance_Poster-1024x683.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/MikaPerformance_Poster-300x200.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/MikaPerformance_Poster-768x512.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/MikaPerformance_Poster-1536x1024.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/09\/MikaPerformance_Poster.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\"><em>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>New-Territories<\/strong> _ Paradigms <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_36-1024x576.jpg\" alt=\"\" class=\"wp-image-192\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_36-1024x576.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_36-300x169.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_36-768x432.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_36-1536x864.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_36.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_03-1024x576.jpg\" alt=\"\" class=\"wp-image-206\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_03-1024x576.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_03-300x169.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_03-768x432.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_03-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"920\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-110--1024x920.jpg\" alt=\"\" class=\"wp-image-229\" style=\"width:1023px;height:811px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-110--1024x920.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-110--300x270.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-110--768x690.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-110--1536x1380.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-110-.jpg 1949w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"721\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-107--1024x721.jpg\" alt=\"\" class=\"wp-image-233\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-107--1024x721.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-107--300x211.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-107--768x541.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-107--1536x1082.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-107-.jpg 1949w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-105--1024x681.jpg\" alt=\"\" class=\"wp-image-227\" style=\"width:1024px;height:601px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-105--1024x681.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-105--300x200.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-105--768x511.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-105-.jpg 1417w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-129.1--1024x768.jpg\" alt=\"\" class=\"wp-image-237\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-129.1--1024x768.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-129.1--300x225.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-129.1--768x576.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-129.1--1536x1152.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-129.1-.jpg 1949w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1015\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2--1024x1015.jpg\" alt=\"\" class=\"wp-image-236\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2--1024x1015.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2--300x297.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2--150x150.jpg 150w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2--768x761.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2--1536x1522.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-119.2-.jpg 1949w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"756\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-127.3--1024x756.jpg\" alt=\"\" class=\"wp-image-239\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-127.3--1024x756.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-127.3--300x221.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-127.3--768x567.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-127.3--1536x1133.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-127.3-.jpg 1949w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3--1024x1024.jpg\" alt=\"\" class=\"wp-image-230\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3--1024x1024.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3--300x300.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3--150x150.jpg 150w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3--768x768.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3--1536x1536.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/newterritories-francois-roche-109.3-.jpg 1949w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_16-1024x576.jpg\" alt=\"\" class=\"wp-image-210\" style=\"width:1025px;height:509px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_16-1024x576.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_16-300x169.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_16-768x432.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_16-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"432\" src=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_28-1024x432.jpg\" alt=\"\" class=\"wp-image-193\" style=\"width:1029px;height:434px\" srcset=\"https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_28-1024x432.jpg 1024w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_28-300x127.jpg 300w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_28-768x324.jpg 768w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_28-1536x648.jpg 1536w, https:\/\/new-territories.com\/PASTFUTURECHAMBER\/wp-content\/uploads\/2023\/06\/robot-new-T_Page_28-2048x864.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>La Chambre des M\u00e9moires 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