(n)certainties
Columbia– Fall 2007
Studio Francois ROCHE | R&Sie(n) / New-territories.com
with the influence of :
Stephan Henrich | Machines Biennale 2008 (robots)
Benoit Durandin | I've heard about
with the invitation of :
Marc Fornes | Theverymany (scripts)
(n)certainties
Preamble
Francois Roche is developing the research 'Uncertainties' since the "i've heard about" experiment, in Paris, in 2005, with his own studio R&Sie(n) and through 7 courses in Master Class and Cross Studio (U-Penn + Columbia in 2006 / Columbia in 2007 / Angewangde + Columbia in 2008 / USC + Columbia in 2009)
Preliminary hypothesis
The studio is targeted by the hypothesis of transforming the “social contract” confronted to the mass media culture biotope _ and to define the morphologies of (n)certainties (biotopes) 2.0.
(n)certainties (biotopes) 2.0 is an unknown urbanism fragment described by the following text.
The research is to define the shape, the social organization, even the smelling of this unpredictable and polymorph city.
Rumours
I’ve heard about something called (n)certainties (biotopes) 2.0 that builds up only through multiple, heterogeneous and contradictory scenarios, something that rejects even the idea of a possible prediction about its form of growth or future typology.
Something shapeless grafted onto existing tissue, something that needs no vanishing point to justify itself but instead welcomes a quivering existence immersed in a real-time vibratory state, here and now.
Tangled, intertwined, it seems to be a city, or rather a fragment of a city.
Its inhabitants are immunized because they are both vectors and protectors of this complexity.
The multiplicity of its interwoven experiences and forms is matched by the apparent simplicity of its mechanisms.
The urban form no longer depends on the arbitrary decisions or control over its emergence exercised by a few, but rather the ensemble of its individual contingencies. It simultaneously subsumes premises, consequences and the ensemble of induced perturbations, in a ceaseless interaction. Its laws are consubstantial with the place itself, with no work of memory.
Many different stimuli have contributed to the emergence of (n)certainties (biotopes) 2.0 and they are continually reloaded. Its existence is inextricably linked to the end of the grand narratives, the objective recognition of climatic changes, a suspicion of all morality (even ecological), the vibration of social phenomena and the urgent need to renew the democratic mechanisms. Fiction is its reality principle: What you have before your eyes conforms to the truth of the urban condition of (n)certainties (biotopes) 2.0.
What moral law or social contract could extract us from this reality, prevent us from living there or protect us from it? No, the neighborhood protocol of (n)certainties (biotopes) 2.0 cannot cancel the risk of being in this world. The inhabitants draw sustenance from the present, with no time lag. The form of the territorial structure draws its sustenance directly from the present time.
(n)certainties (biotopes) 2.0 also arises from anguishes and anxieties. It’s not a shelter against threats or an insulated, isolated place, but remains open to all transactions. It is a zone of emancipation, produced so that we can keep the origins of its founding act eternally alive, so that we can always live with and re-experience that beginning.
Made of invaginations and knotted geometries, life forms are embedded within it. Its growth is artificial and synthetic, owing nothing to chaos and the formlessness of nature. It is based on very real processes that generate the raw materials and operating modes of its evolution.
The public sphere is everywhere, like a pulsating organism driven by postulates that are mutually contradictory and nonetheless true. The rumours and scenarios that carry the seeds of its future mutations negotiate with the vibratory time of new territories.
It is impossible to name all the elements (n)certainties (biotopes) 2.0 comprises or perceive it in its totality, because it belongs to the many, the multitude. Only fragments can be extracted from it.
The world is terrifying when it’s intelligible, when it clings to some semblance of predictability, when it seeks to preserve a false coherence. In (n)certainties (biotopes) 2.0 it is what is not there that defines it, that guarantees its readability, its social and territorial fragility and its indetermination.
I remember:
- That the idea of a necessary mediation, a kind of social contract, was essentially based on a juridical conception of the world, as elaborated by Hobbes, Rousseau and Hegel. For Spinoza, on the contrary, forces were inseparable from a spontaneity and a productivity that made their development possible without mediation, i.e., their composition. They were elements of socialization in and of themselves. Spinoza thought directly in terms of “the multitude” and not individuals, in a conception… of physical and dynamic composition in opposition to the juridical contract. – Bodies were conceptualized as forces. As such, they were defined not only by their random encounters and collisions (state of crisis); they were defined by relationships between an infinite number of parts making up each body, which already characterized that body as “a multitude”. Gilles Deleuze, introduction to Anomalie Sauvage, Toni Negri, PUF, 1982
“That the democracy deficit in the making of the city and the abuse of tools – dating from a period where the reason of a few presided over the destiny of the many – made it impossible to take on board mutations produced by the fragmentation of informational and productive mechanisms”.
“That liberal space was constructed in terms of social control, and that the contemporary 20th-century city retained all the stigmata of that”.
Foreword:
The contemporary city’s developmental tools manifest the tyranny of tightly scripted determinist procedures, planning mechanisms based on predictability. The city’s growth, densification and entropy are driven by pre-set and invariable geometrical projections. Urban morphological transformations are supposed to follow closed scenarios that cannot deviate from the pre-programmed representations on which they are based. Thus the cartography of the city’s becoming is fettered by a mode of production that takes the future as already written. Everything yet to come is spelled out in advance and tightly locked up by that forecast.
The contemporary city is formatted under Windows, unable to access the programming source codes (Linux).
There no reason to believe that the “everything under control” operating modes that condition the production of urban structures are capable of reflecting the complexities (the intertwining of issues and relational modes) of a mass media society where the multitude of citizens is gradually taking over from the republic’s centralized authorities.
The city’s making suffers from a democracy deficit and the abuse of tools that date back to a time when the reason of the few presided over the destiny of the many. The city’s very constitution is impermeable to the social shifts brought about by the dilution and fragmentation of the informational and productive mechanisms. The free-market space was constructed in terms of social control, and the contemporary city retains and reveals the stigmata of that construction.
Can we envision something totally different, urban structures driven by human contingencies? Can we work out adaptive scenarios that accept unpredictability and uncertainty as operating modes? Can we write the city based on growth scripts and open algorithms porous to a number of real-time inputs (human, relational, conflictual and other data) rather than trying to design an urban future formatted by rigid planning procedures?
Social contract/territorial contract
- “uncertainty (biotopes)” could be a self generating bio-structure made quite literally of contingent secretions. Its architecture is based on the principles of random growth and permanent incompletion. It develops by successive scenarios, without planning and without the authority of a pre-established plan. Its physical composition renders the community’s political structure visible.
- The proliferating network is constituted of both imported raw materials and local materials that have been recycled, synthesized and polymerised, resources arising from the animal and vegetable species that inhabit it. Operating anthroposophically, it generates modes of exchanges, flows and blood vessels.
- (n)certainties (biotopes) 2.0 recognizes and builds on the idea of an ever-emerging, shifting and above all fragile sociality. Growth is based on negotiations between neighbours and other residents, and at the same time subjected to collective constraints (accessibility and structural contradictions).
- (n)certainties (biotopes) 2.0 does not eradicate the pre-existing city but rather forms a sedimentary deposit over it, like Constant’s New Babylon. It can be described as a plug-in inserted into the urban fabric, or perhaps a three-dimensional tablecloth over attaching itself it.
Backgrounds:
- Wild Anomaly / Tony Negri with the introduction of Gilles Deleuze, 1982
- Difference et repetition / Gilles Deleuze 1968
- The three ecologies / Felix Guattari, Galileo, 1989
- Michel Foucault / Utopia and Heterotopy, radiophonic conference, 1966
- Ecumes 3 / Peter Sloterdick, 2005
- La commune était une fête / Debord…, IS, 1962
- Mystic and Anthroposophy / Rudolph Steiner, 1901
- Utopia / Thomas More, 16th century
-Dead City ; Mike Davis
-Tomorrow now, Bruce Sterling
-Life of Termites, Maurice Maeterlink
- Ant Farm / The Dolphin Embassy, 1974
-Cross-section of a sick city / Serge Brussolo, 1980
-Rules for Human Parc / Sloterdick, 1999
-Emergence, Steven Johnson
-New Kind of Science, Stephen Wolfram
-The Algorithmic Beauty of Plants, Przemyslaw Prusinkiewicz & Aristed Lindenmayer
Words:
Athroposophic, heterotopy, ecosophic, osmotic, symbiotic, biogenetic, bio-politic, animism, transformism, hybridization, biotopes, in vitro/Vivo, post-humanism, multitudes, self-organisation, bottom up, game of life, cellula automata, emergence, dynamic simulation, pattern recognition, ecosogy, genotype, phenotype, adaptation, growth, parametric, proccedure, protocol, routine, scripting, algorythm, L-system, neural network, travelling salesman, recursion, fractals…
References (to google)
-Ruper Soar / Free Form and Sandkings / Geometrical Termite mount analyse
-Berok Khosnhevis / Countour Crafting
-Robotic / Science fiction : http://www.technovelgy.com/ct/Science_List_Detail.asp?BT=Robotics ;
-“I’ve heard about” experiment by R&Sie(n) visible on http://www.new-territories.com/I’veheardabout.htm or http://b.durandin.free.fr/iveheardabout/iha.htm
Feidad award 2006 : http://feidad.org/homepage2005/winners.htm
- Marc Fornes exhibition in Philadelphia / www.scriptedbypurpose.net
Including some Metabolism structure in and out architecture scene : (Iona friedman, Hausserman, and Slum urbanism everywhere…)Insects : Termites (or ants) structures (geological, morphological, sociological, pheromonological, mechanical…)
Movies
-Alpha ville : JL Godart
-Fitzcaraldo / Werner Herzog
-Old and New / La ligne general : Eisenstein 1828
-Pepe le moko / Jean Duvivier 1937 (avec Gabin et la Casbah)
-Two or three thing I know about here / Deux trios chose que je sais d’elle : JL Godart 1966
-Castle in the sky / Le château dans le ciel : Hayao Miyazaki
-Faust / Murnau (architect Poelzig)
and basically /
-Existenz : Cronenberg
-Kingdom 1/2/3 : Lars von Trears
-Punishment Park : Peter Watkins
-ABCdaire : Gilles Deleuze
-Abyss / Terminator 2 / Predator 1 / Dark City /….sub culture 3D effects
-Stalker, Tarkovsky
-Pi, Daren Aronofsky (faith in chaos)
